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Considered the quickest option to render a multi track session but depending on the DAW you use, certain features (plug ins, automation, midi) in your session may not work well or at all. This term is applied to the rendering of audio files in non real time, which means it does not take the time of playback to convert your file or files for use outside of your DAW. Lastly, because I am the guy writing the blog, not you. The reason why I want to discuss this first has to do with the sound quality of your rendered files and because this is a method that can be used in any of the DAW’s discussed to assure multi-track transfer reliability. The first concept I am going to talk about is the differences between offline, online and internal bouncing and why I believe internal bouncing is the best way to go. Why you ask? So you can apply what I am talking about in this blog, that’s why you guber. But honestly, change to one of the systems I am discussing. The one thing to keep in mind, if you are using a different DAW, is that the concepts I will be discussing are pretty consistent throughout all the DAW’s. The DAW systems I will be discussing today will include Pro Tools, Logic, Ableton Live, FL Studios, and lastly Digital Performer.

So if you want that free cookie, read up. Yay! In today’s blog, I am going to go over the best methods of rendering your files on the top DAW systems as well as talk about all the things to look out for and consider in your rendering from sound quality to reliable multi-track transfers. The clients that do get it right get awarded free cookies. One thing we’ve noticed is that few clients rarely bring these projects into our studio correctly the first time around. That includes all individual tracks from the beat & music, as well as each individual vocal track (verses, hooks, bridges, adlibs). Here at Studio 11, we usually get a few multi-track sessions every week from clients that need to be mixed out.